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This book is a more personal history than has ever before been written by or about Marianne Faithfull. Anecdotal, conversational, intimate and revealing, this is her no-holds-barred account of her life, her friends, her triumphs and mistakes.
A decade after the publication of ‘Faithfull’, one of the most acclaimed rock autobiographies of all time, Marianne Faithfull is back, vowing periodically leave her wicked ways behind and grow up, but finding that somehow strange things keep happening.
A wry observer of her slightly off-kilter world, Marianne muses nostalgically about afternoons languishing on Moroccan cushions at George and Pattie's, getting high and listening to new songs. She fondly recalls the outlandish antics of her Beat friends Allen Ginsberg and William Burroughs; is frequently baffled at her image in the press (opening the paper to read of her own demise: 'Sixties Star in Death Plunge'); terrified by the curse sent by Kenneth Anger; mortified by her history of reckless behaviour; not to mention her near-death experience in Singapore while looking for an opium den.
Marianne peoples her anecdotal memoir with legendary characters one can imagine only Marianne assembling around her, both the eccentric and the beautiful, from Henrietta Moraes and Donatella Versace to Sofia Coppola, Juliette Greco, and Yves St. Laurent's dog. Here is Marianne on the dark side of the sixties and the bright side of the nineties, which saw her collaborating with the likes of Blur and Jarvis Cocker; compelling recollections of an unconventional childhood in her father's orgiastic literary commune to a hilariously decadent few days at Lady Caroline Blackwood's deathbed. Here she is her blossoming movie career, on her records as subliminal autobiography. This is as intimate a portrait as we've ever had of Marianne, as she meditates on sex and drugs, confronts her alter-ego, the Fabulous Beast, and faces her own mortality in her battle with breast cancer.
Since her last book Marianne has, in her own words, 'made quite a few records, gone on many tours, tried to play it straight, and… Well, the rest is the subject of this book.'
- Sales Rank: #1136914 in Books
- Published on: 2008-07-07
- Released on: 2008-07-07
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .90" w x 5.00" l, .50 pounds
- Binding: Paperback
- 336 pages
Review
‘A rare talent for lyrical, inventive prose gives her anecdotes wings….a powerful, radical and quite beautiful work of biographical art.’ Sunday Telegraph
‘She opens up a box of mini-memoirs about the characters she has met. Instantly engaging. Faithfull is able to produce something of grit and newsworthiness.’ Observer
About the Author
Marianne Faithfull is an English singer, songwriter and actress whose career has spanned five decades. She is known, all over the world, as the crown princess of swinging London in the 1960s and 70s, as a singer, and as an actress. She is the author of Faithfull: An Autobiography and Memories, Dreams and Reflections.
Most helpful customer reviews
96 of 98 people found the following review helpful.
"But Who Manipulates The Apparatus?"
By The Wingchair Critic
More than any other work in his oeuvre, Carl Jung's biography, 'Memories, Dreams, Reflections' (1961) takes the reader inside the mind of the eminent Swiss psychologist. Jung was both a self-admitted gnostic and an introvert, and this very personal account of his life, which he was completing at the time of his death, is correspondingly subjective in tone.
Jung had a difficult but remarkable childhood, to which he devotes a substantial portion of the text. Both blessed and plagued by heretical visions which he was unprepared to understand or interpret (among them: God defecating on a cathedral; an enormous cyclopean phallus enthroned in a subterranean chamber), Jung also found himself unable to seek advice from his father, a country parson suffering from a crisis of faith, or his mother, whom Jung believed to have a weird and "uncanny" "second personality" which only emerged at night. In time, the awkward young Carl came to believe that he had a guiding "second personality" of his own, which he perceived to belong to a mature and intellectually accomplished man of 18th century Europe (as an adult, Jung would adopt another "psychic being," whom he called "Philemon," as his personal "daimon," mentor, and guide). Already tending temperamentally towards remove from others, these experiences only acerbated Jung's boyhood sense of rural backwardness, loneliness, and social isolation.
Due to both its subjective nature and the enormous scope of Jung's experiences and speculative beliefs, 'Memories, Dreams, Reflections' is the sort of book that hardline scientists and skeptics may scoff at, especially since Jung is largely concerned with discovering the liminal crossroads where objective truth, physical law, spirituality, and human psychology converge. Throughout his life, he also placed a tremendous value on the meaning of personal and collective dreams, both those he considered merely informational as well as those he considered prophetic and of a collective nature.
Throughout the volume, anecdotes abound of seances, extrasensory perception, automatic writing, "poltergeist" phenomena, "meaningful coincidences," alchemy, visitations from the dead, unidentified flying objects (which Jung, who never claimed to actually glimpse one, did not believe to be vehicles from other planets, though he didn't absolutely rule out the possibility), alternate dimensions, the Holy Grail, and, in one bizarre episode, a seemingly endless parade of merry-making phantom boys who pass by his lakeside home in the dead of night. Though Jung interprets this particular "haunting" in terms of local history, it's remarkable that he, who believes "the mythic side of man is given short shrift nowadays," doesn't consider the trooping fairies of Celtic and Germanic folklore as any equally likely explanation.
In another incident, he and companion, while traveling in Italy, spend hours admiring the interior of a cathedral, only to discover later that the mosaics they found so unforgettably beautiful did not exist, and never had existed.
As unlikely a collection of first or secondhand experiences as the anecdotes may represent, Jung never allows his narrative to lose its tight focus or relate these incidences to his larger theme: the nature, development, and evolution of human consciousness. However, in genuine gnostic fashion, he is quick to remind his readership that human perception is always ultimately subjective, and that, while "facts" certainly exist, no man can claim to know what the absolute truth is about any facet of reality.
'Memories, Dreams, Reflections,' which was completed from notes after Jung's death by associate Aniela Jaffe, does not pretend to be a work of science (and, appropriately, is not an official volume in Jung's Collected Works), and is in fact far more concerned with ethics, spirituality, faith, and consciousness. One of the book's greatest achievements is its narrative power, which never flags, no matter how potentially obtuse the point is that its author is attempting to make. Throughout, Jung's tone is also uniformly humble and sincere, and his conviction in his beliefs, electrifying.
Jung's ultimate message for mankind and mankind's future is clear: "Man's task...is to become conscious of the contents that press upward from the unconscious. As far as we can discern, the sole purpose of human existence is to kindle a light in the darkness of mere being."
46 of 48 people found the following review helpful.
Legacy--4.5 stars
By Neal J. Pollock
This autobiography is unusual to say the least. It is replete with deep, profound, mystifying, eye-opening, tantalizing personal experiences rather than mundane happenings. It reads, at times, like a fantasy novel. I'd call this powerful book an impressionistic painting of Jung's life and work. It's very personal and very revealing. It's no wonder he left it to the very end of his life. Fortunately for us, he did provide the data & it was posthumously published. It provides a depth of context for his work that is available nowhere else. It is, however, expurgated--presumably by his family who didn't want all his dirty laundry (e.g. affairs with clients etc.) made public. After all, it was published not long after his death. There is much to learn from this book--even by those offended by it. As Jung says, p.247 "Everything that irritates us about others can lead us to an understanding of ourselves." George MacDonald said "Those don't know England who only England know." Jung asks, p. 246 "How, for example, can we become conscious of national peculiarities if we have never had the opportunity to regard our own nation from outside? Regarding it from outside means regarding it from the standpoint of another nation." Similar to his more scientific works, this one contains innovative thinking & timeless observations.
PAST--pp. 143-4 Among the so-called neurotics of our day there are a good many who in other ages would not have been neurotic--that is, divided against themselves. If they had lived in a period and in a milieu in which man was still linked by myth with the world of the ancestors, and thus with nature truly experienced and not merely seen from outside, they would have been spared this division of themselves.
PRESENT--p. 131 To my mind, in dealing with individuals, only individual understanding will do. We need a different language for every patient. In one analysis I can be heard talking the Adlerian dialect, in another the Freudian. The crucial point is that I confront the patient as one human being to another. Analysis is a dialog demanding two partners.
FUTURE--p. 256 Man is indispensable for the completion of creation; that, in fact, he himself is the second creator of the world, who alone has given to the world its objective existence...Human consciousness created objective existence and meaning, and man found his indispensable place in the great process of being.
56 of 60 people found the following review helpful.
An incredible chronicle of an amazing inner journey!
By Patrick D. Goonan
I think Carl Jung was very ahead of his time and he was in sense an explorer like Columbus, except that his territory was the vast space of his own interior. My understanding of Jung is that he took his own explorations to the brink of psychosis in the service of understanding himself and the psyche. Whether you are a Jung fan or not, it has certainly been my experience that he has a lot of insight and wisdom to share with respect to the nature of the psyche.
This book is basically an autobiography and it is very dense reading. Jung was highly educated in a variety of fields and without some basic understanding of philosophy, major literary figures and mythology, it may be a difficult reading. However, if taken slowly, it is truly manageable and you will discover many gems.
I agree with some of the other excellent reviews that suggest that this volume presents Jung the legend more than being an objective account of his life. However, it offers a lot of insight into his thinking, major influences, etc. It is a fascinating story in itself.
I think this book is most useful and interesting to people who already know a lot about Jung. It is not the best introduction to Jung. If you want a good introduction, I would suggest Murray Stein's "Jung's Map of the Soul." Another concise introduction in Jung's own words is Aion. I would read one or both of these first before tackling this volume.
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