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The Poems and Songs of Robert Burns, by Robert Burns
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The Poetry of Burns' (1759-96) is characterised by its disarming honesty and humanity, and by the poet's remarkable lyric gift. Angry or compassionate, sentimental or satirical, romantic or bawdy, Burns's poetry transcends the Scottish dialect in which it is written to speak to all of us. This specially commissioned recording, available for the first time on CD, offers a wide-ranging choice of Burns's songs and lyrical poems; and longer poems such as 'Tam o'Shanter', and 'The Cotter's Saturday Night' are also included in their entirety. All are read by John Cairney, world-famous for his many stage and television performances of the life and work of Scotland's national bard. Lovers of Burns's poetry will find much to enjoy in this selection, which also provides an extensive introduction for those as yet unfamiliar with his work
- Sales Rank: #4088197 in Books
- Published on: 2004-12-06
- Number of discs: 1
- Formats: Audiobook, CD
- Original language: English
- Number of items: 2
- Dimensions: 5.71" h x .39" w x 4.92" l,
- Binding: Audio CD
From School Library Journal
Grade 7 Up-Scottish actor John Cairney gives voice to 20 of the poet's works, some standards and others slightly more obscure. Cairney portrayed Burns in a solo stage show from 1965 to 1981. He not only performs on this cassette, but also selected and arranged the poems and musical elements. Lilting tunes often introduce a piece, and the familiar melody of "Auld Lang Syne" plays throughout that reading. "Tam o'Shanter," "To a Mouse," "To a Louse," and "A Red, Red Rose" are here, as well as the less well known "Mary Morison," "Of a' the Airts," and "The Banks of Doon." Language arts instructors who teach Burns and want to convey a sense of what he intended will especially appreciate this collection and Cairney's performance. The dramatic and occasional special effects will help to capture students' imaginations. The romantic pieces provide a leisurely pace for neophytes to familiarize themselves with the accent.
Diana Dickerson, White Pigeon Community Schools, MI
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Despite the package's claims that this is the perfect introduction to Burns's work, listeners might well find themselves playing the tape twice, once for the music, the second time to try to pick out the words. Ideally, they would hear the tape while looking at the poems on the page, but the producer did not choose to include the text. Actor John Cairney, who has been performing Burns's poems since 1959, does a more than credible reading, but unfortunately being enthusiastic about the recording and true to the 18th-century Scottish dialect does little to enhance the American listener's appreciation. The 20 poems presented here include longer works, such as "The Cotter's Saturday Night" and "Tam O'Shanter," along with "Holy Willie's Prayer," "Epistle to a Young Friend," "A Red, Red Rose," and "Auld Lang Syne." With longer poems, it's difficult to tell when the selection ends, while shorter poems run into one another. This is currently the only tape of Burns's work available, so interested fans will have to make do. Rochelle Ratner, formerly with "Soho Weekly News," NY
Copyright 2001 Reed Business Information, Inc.
About the Author
Robert J. Burns is a heritage resources consultant and historian living in Ottawa, Ontario.
Most helpful customer reviews
1 of 1 people found the following review helpful.
Great intro to Robert Burns!!!
By You Mean That Guy
So....this is a poetry book so obviously some of the methods of rating the book won't apply (although there are some poems with characters). But this is a great cheap Robert Burns intro. Also (and this is super important) THERE IS A GLOSSARY IN THE BACK!!! If you're new to Burns this will help you get a handle on the Scottish slang and accent he writes in. Well worth it. If Robert Burns were alive today, he would've been a rock star.
20 of 22 people found the following review helpful.
Robert Burn's poems in the interesting Scots dialect
By Ulfilas
Many years ago, a friend with grandparents from Scotland gave me this book as a high school graduation gift. The poems of Robert Burns, the best loved of Scotland's poets, are written in the Scots dialect, which differs significantly from Standard English. My friend's grandmother once made the observation that many of the words unique to the Scots dialect strongly resembled their German counterparts. At the time I doubted her analysis, imagining that the different Scots vocabulary was due to the influence of Scottish Gaelic. After having studied a number of ancient Germanic languages many years later, however, I came to realize that my friend's grandmother was essentially correct. A study of the Scots dialect reveals more words from Old English and Old Norse (both ancient Germanic languages) than found in Standard American or British English, while the contribution of Gaelic is insignificant. Indeed in the Scots expression "it gar me greet" (it makes me cry) both "gar" and "greet" are of Old Norse origin. The Norse word "gera" corresponds to "make" and "grata" to "cry or weep" as can be confirmed by reference to the glossary of the Old Norse textbook An Introduction to Old Norse, the modern Icelandic dictionary Ensk- Islenzk Ordabok/English-Icelandic Dictionary, or equivalent online dictionaries. Nevertheless, the Lowland Scots dialect is not so different from American English as to present a challenge to the literate reader. The version of this book that I own (of the same exact title as this edition) is complete with a glossary to define dialect words unfamiliar to the general reader. I hope that this edition also has this useful glossary.
Many poems familiar to the reader can be found in the volume. "Auld Lang Syne" and "Comin' Thro' The Rye" are among the best known. Of particular note are the poems "The Cotter's Saturday Night," a celebration of the common Scottish people and "Tam O'Shanter," a story of a man who happens upon cavorting witches, one of whom is appealingly clad in a "Cutty Sark" (short shirt or chemise like undergarment, or nightgown).
One of the accomplishments of Burns was to compose words for traditional songs or "Airs" that prevented these melodies from being completely forgotten. Burns is also known to have composed a number of songs too bawdy to be widely circulated. My friend's family had apparently known of handwritten copies of such poems that had been hidden away in desk drawers back in Scotland. It was also recalled that decent women got off the street when Burns was in town! Such poems are not included in this volume, at least not in their entirety. To find such poems the interested reader need only consult the web. Joe Covenant's very accessible website includes a few of these poems complete with a glossary. I was particularly amused by the poem entitled "Wa'd Ye Dae That?" (Would You Do That?).
10 of 11 people found the following review helpful.
A most beloved Burns
By Shalom Freedman
There are few poets more beloved than Burns. His lyrics and his songs were even in his lifetime celebrated and loved. They reflect his own passionate and perhaps often too loving nature. The story of the country Scots' boy whose writing fame led him to dissipation in Edinburgh is also the story of a great lover( His wife Jean Armour and Mary Campbell were the two most famous)
and celebrator of that love.
Many of his lines live in the everyday life and mind of English speakers everywhere. New Years Day is the day of his 'Auld Lang Syne' and most of us have known the wisdom given in his 'To a Mouse'( The best laid schemes o'mice an men, Gang aft agley, An lea'e us nought but grief an pain, For promised joy.)
Poetic anthologies of English verse unfailingly contain samples of his work. Among the most well- known are ( O My Luve is like a red, red rose, that's newly sprung in June: O my luve is like the melodie, That's sweetly played in tune.) and (Flow gently ,sweet Afton.Among thy green braes, Flow gently , I'll ing thee a song in thy praise; ).
The Scots may be difficult at times, but the poems are direct, simple , clear and powerful in feeling.
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