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Portrait of an Unknown Woman, by Vanora Bennett
PDF Download Portrait of an Unknown Woman, by Vanora Bennett
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"The year is 1527. Hans Holbein makes his first visit to England under the patronage of Sir Thomas More. As a guest in the splendid More house in Chelsea, Holbein begins to paint their first family portrait. Little could he know that in a few short years, the family, Tudor society and England itself would have changed beyond recognition. The great household of the courtier and scholar, Sir Thomas More, was famous for it's liveliness and learning. More had taken under his patronage distinguished astronomers, artists, politicians and men of religion, as well as wards of court, proteges and many others. Two people visiting the great house find themselves irresistibly drawn to Meg Giggs, one of More's foster daughters. John Clement - dark, tall, elegant - an erstwhile tutor, now studying to be a doctor, is a man of compelling presence and mysterious background. The other man is Holbein himself - warm, ebullient, radical and foreign - sent by the great Erasmus to paint the More family portraits. Meg finds herself powerfully drawn to these two wildly contrasting men. She will love one, marry the other. The two Holbein family portraits frame this remarkable novel with it's background of love, family and religious and political turmoil in Tudor England." Taken from the back cover
- Sales Rank: #3671937 in Books
- Published on: 2007
- Format: Import
- Original language: English
- Number of items: 1
- Binding: Paperback
- 528 pages
- Fascinating insight into the life of the artist Holbein.
- So intriguin I couldn't out it down!
- The best bednight book in a long while.
Most helpful customer reviews
0 of 0 people found the following review helpful.
An intricate plot, filled with intrigue, secrets, suspense, tragedy, romance and religious and political upheavals
By Jana L.Perskie
Vanora Bennett's "Portrait of an Unknown Woman" is a fascinating, well researched historical novel about two 16th century men, Sir Thomas More and artist Hans Holbein. Central to the storyline is a young woman who meant much to both of them. Of course, the history of the tumultuous times in which these people lived is larger than all the characters put together and makes for a dramatic story in itself.
Sir Thomas was a brilliant English humanist, author and classical scholar. His circle of friends included kindred spirit, Erasmus, a Dutch theologian and fellow Renaissance humanist. More was also a great friend and advisor to King Henry VIII and served as the King's Lord Chancellor from 1529-1532. A staunch Catholic, he believed that Lutheranism, the teachings of Martin Luther, who launched the Protestant Reformation, threatened the Church and society. In his mind, those who followed Luther's teachings were heretics. As Chancellor, he had many people tortured and burned at the stake for heresy. So, although More was a most admirable and exceptional man, and a pacifist when it came to war, he was a fanatic in his beliefs. The character depicted in the film "A Man For All Seasons" does not portray his dark side. Initially, King Henry agreed with More on matters of religion and suppressed the religious reformation. This unanimity of opinion was to change drastically within a few years - which was extremely unfortunate for Sir Thomas.
Hans Holbein the Younger was a German painter and printmaker. He arrived in England in 1526 looking for work and, perhaps, a patron. He had painted a portrait of Erasmus who recommended the artist to his friend Thomas More. Sir Thomas commissioned Holbein to paint a family portrait. During the period in which the artist originally stayed with the scholarly family, he became a good friend to them all. He was especially drawn to Meg Gibbs, Sir Thomas More's twenty-three year old adopted daughter.
Meg was a relative loner in the large family. She was extremely intelligent and thoughtful, with a strong character. She had been schooled in the classics and was quite knowledgeable about herbs and healing. In fact, the healing arts were her passion. From early childhood, Meg had loved her tutor, John Clements, a much older man, nearer to her foster father's age than her own. When she was his student, he was very kind to her and treated her as if she were special. Clements' attention made a strong impression on the orphaned girl, who felt like an outsider. Now, years later, he returned to London from his travels through Europe, where he studied medicine. Almost immediately he visited the Mores at their home in Chelsea. It became apparent that Meg and John were strongly attracted to each other. Their attraction turned to love. He asked for her hand in marriage and was told, by More, to wait until until he became a Fellow in the Medical Guild.
Meanwhile, back at the court, King Henry's eyes, lust and love wandered from his wife, the aging Catholic Queen Catherine of Aragon, to the much younger, striking and vivacious Anne Boleyn. After many years of marriage, the queen had been unable to produce a male heir. The royal couple's only child was a female, Princess Mary. Catherine had been married briefly, as a girl, to Henry's sickly older brother, Arthur. She was left a widow and a proclaimed virgin after six months. A few years after Arthur's premature death at age 16, the Pope issued a dispensation allowing Henry and Catherine to marry. Now, desperately wanting a son, Henry longed for Anne, who refused her king physical relief from these longings until they could marry. Henry then instituted proceedings to resolve the issue of the validity of his marriage to Catherine. He swore that she had consummated her marriage with his brother, citing Leviticus, "If a man shall take his brother's wife, it is an unclean thing...they shall be childless." It's a long story, but ultimately, Henry broke with Rome, and became head of the Church of England, thus putting himself in direct opposition with all that Thomas More believed.
Ms. Bennett interweaves history with her intricate plot, which is filled with intrigue, secrets, suspense, tragedy, romance and the religious and political upheavals in Europe. Although her account of history is fairly accurate, she plays the "what if" game very well, making for many surprises and much mystery.
I was very interested in Holbein's methods of painting and creating art, especially portraiture. The artist had a passion for telling the truth, and when he could not do so openly, because of the dangerous times, he used symbolism and metaphor in his compositions. Five years after he painted the first portrait of the Mores, he returned to paint another, almost identical...but not quite. This second painting holds the key to much of the novel's mysteries.
I found the pace of the narrative to be very uneven. It is quite slow at times, and if I had not been so interested in the historical period, I might not have finished the book. The writing and story pick up pace considerably after the first few chapters, and then I found it hard to put the novel down. However, about halfway through, it slows down again until the final chapters. I do recommend reading "Portrait of an Unknown Woman" because it really is fascinating on so many levels. Maybe you could just scan through the slow parts. ;>
JANA
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